Warburton’s compositions are brushed, sprayed, carved, splattered, scraped or poured and the use of texture provides an organic feel that encourages the viewer to linger and visually rove across the canvas. Her insistence of refusing to stay within the hierarchical territories of traditional realism, biomorphic abstraction or natural representation is founded on a simple but striking strategy: ” I paint whatever I feel”. A remarkable quest and an even more remarkable achievement: the merging of differences in subject matter and the nuance with differences in motif and message. Her...more
